I owe Monica (I think it was) an apology. In last week’s Novel class (on David Copperfield) I asked if anybody knew what was especially memorable about the year 1848. Several people offered suggestions, and Monica brought up the Franklin Expedition. I pooh-poohed, but I had my dates wrong: indeed, as you’ll see if you click the link, in that last sentence there, the Franklin Expedition (two ships, HMS Erebus and HMS Terror, jointly under the command of a naval veteran of the Napoleonic Wars, Sir John Franklin) set off in 1845 to sail round the north of Canada to the Pacific, and thereby establish a less circuitous and less dangerous route to the lucrative Pacific than going south round South America — which is to say, they were searching for the fabled ‘Northwest Passage’. They were hoping their journey would be like this:
In fact it was like this:
They all died. By 1848 people were aware that the expedition was lost, but it was still hoped that it, or survivors from it, might still be located. By the mid 1850s, after various search-and-rescue expeditions, it became clear that there were none. Dickens was particularly interested in this expedition. In Autumn 1854 the Hudson’s Bay Company surveyor Dr. John Rae brought back Inuit reports of cannibalism among Franklin’s men; Dickens refused to believe that Englishmen would sink so low, and debated the matter with Rae in the pages of his weekly journal, Household Words. Two years later, he and his friend Wilkie Collins put on a performance of a play based on the expedition, The Frozen Deep.
Collins ‘wrote’ the play, although Dickens’ input was so pronounced (he rewrote stretches of it, adapted it, acted in it) that it is sometimes cited as co-authored by the two of them. At the centre of the play is an act of noble self-sacrifice, out on the arctic wastes, by a character called Wardour; a dry-run for the same device (in a very different environment) in Tale of Two Cities.
So, the Franklin Expedition was contemporaneous with 1848 (sorry Monica!) although it’s unlikely it fed into the cultural climate behind Copperfield. What I was actually angling for was the ‘year of revolutions’. [AR]